General
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Risk, Participation, and Performance Practice (Critical Vulnerabilities in a Precarious World)
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Robert Paul and the Origins of British Cinema
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Sam Shepard and the Aesthetics of Performance
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Second Lives (Black-Market Melodramas and the Reinvention of Television)
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Seeing as Practice (Philosophical Investigations into the Relation Between Sight and Insight)
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Selling Science Fiction Cinema (Making and Marketing a Genre)
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Sexuality and the Gothic Magic Lantern (Desire, Eroticism and Literary Visibilities from Byron to Bram Stoker)
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Shakespeare and the Imprints of Performance
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Shakespeare’s Great Stage of Fools
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Silent Film Comedy and American Culture
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Soundies Jukebox Films and the Shift to Small-Screen Culture
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Staging Black Feminisms (Identity, Politics, Performance)
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